The final SCBWI intensive workshop I attended was one of the best workshops at the conference. Deborah Halverson “edited children’s books for ten years—until she climbed over the desk and tried out the author’s chair on the other side. Now she is the award-winning author of the teen novels.”
She gave us the top 10 markers for larger mistakes in manuscripts and actual fixes for them. Her talk added more tools to my revision toolbox because she presented tangible, actionable things that I could apply to my manuscript.
One of the most important ones is “Stop Looking” and this relates to voice.
Is there is a lot of stares, looks, and smiles filling narrative beats in your manuscript?
Then you may have a tendency toward generic action and passive voice.
To diagnose this issue, do a search and count (this can be done with the control+F function in Word) of all the times you use words like:
- Look
- Stare
- Gaze
- Smile
- Feel
- Thought
- Frown
- Laugh
- Turn to
- Nodded
Everytime you use “feel” or “thought” you are telling the reader not showing them. You want to let the reader be the judge of what is happening.
This is the most common problem for new writers.
So how do you fix this problem?
- You fill scenes with action.
- Have characters interacting with setting props.
- Make interactions specific and unique–change a hair flip to spearing an apple.
- Make scene messier–instead of sitting around chatting have them hunting or at dance class. Give them something to do that’s interesting while they talk.
- Use dynamic language–instead of sitting in a chair lounge in it.
- Have characters interacting with setting props.
If you’d like to learn more about her revision techniques, you can check out her book Writing YA Fiction for Dummies. You can also read her responses and ask her questions at Dear Editor.


























29 comments
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October 8, 2012 at 9:59 am
berry
Sounds like a lot of work. Effort. But if it mskes the book better great. All you can do is your best. Fate and destiny dictate the rest. Im hoping ur successful. You certainly deserve it.
October 8, 2012 at 10:07 am
Kourtney Heintz
That’s just one of the ten things you have to look out for too! It is a tremendous amount of work with zero pay for years. It’s one of those things you only do if you love because there may never be a big payoff.
October 8, 2012 at 10:53 am
Cat Forsley
You are all heart K ………………
xo
October 8, 2012 at 12:38 pm
Kourtney Heintz
Thanks C!
October 8, 2012 at 12:40 pm
Cat Forsley
October 8, 2012 at 11:49 pm
Kourtney Heintz
Love^3. XOXO
October 9, 2012 at 8:36 am
Cat Forsley
Can you write something about math and equations of love
xxx
xx Have a brilliant tuesday xo
October 9, 2012 at 9:04 am
Kourtney Heintz
I can try.
Maybe next week after I finish the revision?
XO
October 9, 2012 at 10:10 am
Cat Forsley
Good Luck with that Sweet K xxx
all my heart xo
October 9, 2012 at 10:27 am
Kourtney Heintz
Thanks. In final stretch just proof reading this week.
xoxo
October 9, 2012 at 10:36 am
Cat Forsley
I remember
xoxoxoxoxo
October 8, 2012 at 11:41 am
4amWriter
Great advice. I love dynamic language, and I’ll spend all day sometimes thinking of a better word than ‘walked’, for instance. Although there is that fine line where dynamic langage can sound overdone. It’s always a balancing act.
October 8, 2012 at 12:39 pm
Kourtney Heintz
Very true. I find in revisions I sometimes have too many dynamic action tags in a scene when there are multiple speakers and all dialogue lines need a tag. If I start to feel tired by all the action, I know I need to fall back on a few saids.
October 8, 2012 at 12:05 pm
Carrie Rubin
Excellent advice. I know I have far too much “gazing” going on in my novel. Something to focus on in the next one.
October 8, 2012 at 12:41 pm
Kourtney Heintz
I think it’s a symptom of watching tv and movies. Characters are always looking/gazing and we tend to incorporate that into our writing. I read an article where a writer called it “too much head and shoulders.” Characters were turning or looking or gazing but nothing else was happening physically.
October 8, 2012 at 12:44 pm
Carrie Rubin
“Head and shoulders”—I like that. What an easy way to remember to incorporate more action.
October 8, 2012 at 11:43 pm
Kourtney Heintz
It really clicked for me too.
October 8, 2012 at 3:28 pm
Laura
Great advise! These workshops sound really amazing.
October 8, 2012 at 11:44 pm
Kourtney Heintz
Conferences really do help my writing. I plan to do 1-2 a year as long as I can afford it.
October 8, 2012 at 3:48 pm
Elliot
Good advice, this sort of thing is always useful, especially when it comes to editing / revision.
October 8, 2012 at 11:45 pm
Kourtney Heintz
I’m really glad they offered a revision workshop. Coincided with where I was in my writing and gave me more techniques to improve my manuscripts.
October 8, 2012 at 5:44 pm
Louise Behiel
sounds like a great book – i’m off to take a look
October 8, 2012 at 11:46 pm
Kourtney Heintz
I haven’t read the book, but the workshop intensive put it on my to-read list.
October 8, 2012 at 6:36 pm
jmmcdowell
For me, I think those turns, looks, nods, etc. often become a “crutch” to break up a character’s dialogue. I’ll have to go through them carefully when I get to the polishing/smoothing stage.
October 8, 2012 at 11:47 pm
Kourtney Heintz
They are okay to have in there but it’s just about being aware of where and when you’re using them and making sure that is the absolute best use of words possible.
I knocked out 60 looks and 40 nods.
October 8, 2012 at 7:41 pm
August McLaughlin
“Everytime you use “feel” or “thought” you are telling the reader not showing them”
So well put! Thanks for sharing your takeaways, Kourtney.
October 8, 2012 at 11:48 pm
Kourtney Heintz
I thought that was pure brilliance from Deborah. So many times we are told what to do or not do, but rarely are we told why. Once I know the why it’s so much easier for me to understand the what.
October 31, 2012 at 3:25 pm
Zen and Genki
Sounds like a wonderful (and enlightening!) talk!
October 31, 2012 at 8:05 pm
Kourtney Heintz
It was really eye-opening. So many things I didn’t realize I did.